Big Thief

Two Hands

  • AllMusic Rating
  • User Ratings (0)
  • Your Rating
  • 俺去也色天使哥也色微软将把HoloLens推广到手机 但非针对个人消费者


      長平看了雲瑯一眼道︰“你干的?”   你以為寒門子弟在第一次給我這個長公主辦事就敢大貪,特貪的而且理直氣壯?俺去也   霍去病也惡狠狠地瞪了曹襄一眼抱拳道︰“陛下,還是微臣去比較好。”色天使   百川東到海,何時復西歸?   “當然要去,山里可不僅僅有山雞野兔,還有一種在冬日里依舊碧綠的草,耶耶都會帶你去看。”哥也色   季東子立刻閃開,雲瑯一行人隨著何愁有繞過一座小土包,就看見一座簇新的高大烽燧! Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

    blue highlight denotes track pick