Big Thief

Two Hands

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  • 偷拍久久国产视频色奶奶日日夜夜偷偷撸大色窝夜夜撸在线视频蓬佩奥称担心解放军驻港部队是否介入 外交部回应


      “雞蛋三萬兩千三百一十二枚,鵝蛋兩千四百七十七枚,至于鴨蛋,全部被孟家少爺拿去孵鴨子去了。”   雲瑯說著話,打了一個呼哨,游春馬就被老虎從馬廄里給攆出來了,雲朗踩著台階上了游春馬,也不管曹襄,率先沖出了家門。偷拍久久国产视频   太陽西斜的時候,雲瑯扶著曹襄慢吞吞的從荒原深處一步一步的步挪回來。色奶奶日日夜夜偷偷撸   這種得罪人的話也能在大庭廣眾之下說出來,是真正的沒腦子。   阿嬌指指小蟲身上的游泳衣道︰“拿著我的尺寸也做一件。”大色窝夜夜撸在线视频   “給陛下看嗎?” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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