Big Thief

Two Hands

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  • 加多鲁网站色情婷婷开心色色吉药控股:不存在故意停牌、停牌不审慎、炒作股价等

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      這對雲瑯來說也是一個試驗,他想試試,自己到底能不能改變一些注定要發生的事情。   “黃門要是喜歡,隨便找一頭虎崽子從小飼養,只要朝夕相處,遲早你也會有這麼一頭靈獸的。”加多鲁网站   李陵雖然淚流滿面,卻堅定不移的道︰“李氏從哪里失去的榮耀,就一定要從哪里取回來。”色情婷婷   按理說這一刻宋喬應該沒有意見才是……   陳銅耷拉著腦袋只是嘆氣,一句話都說不出來。开心色色   所以,雲瑯登台拜將的時候沒有得到皇帝的勉勵與期望,卻獲得了連帝王都沒有資格獲取的列侯殉葬的榮耀…… Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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