Big Thief

Two Hands

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  • 哥也色蝴蝶谷av天堂网站西媒:中国促增长手段尚有余地 经济有望再提速


      “叫停?”曹襄道。   “既然如此,你為何要讓陳銅在書上署名呢?”張安世覺得霍光有些過分了。哥也色   整個人他娘的看起來就像是一個被惡龍折磨過的精致受難的小王子。蝴蝶谷   雲瑯搖頭道︰“我也想讓他們白手起家,光屁股打天下,可是呢,我大漢國的國情已經注定了,不是大家族出來的人,就很難真正獲得重用。門第才是最重要的!”   總之,甦稚很滿意。av天堂网站   霍光嘆息一聲,手按著欄桿輕盈的翻了出來,探手就捉住了金日的手腕,身子扭轉一下,一只腳踹在金日的腰上,將正在追殺張安世的金日重重的踢倒在地上。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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