Big Thief

Two Hands

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  • 啪啪啪视频姐姐色|噜噜色|就要干|鲁大妈|鲁鲁射加多鲁网站中泛控股融资协议展期至今年11月8日


      “遠上寒山石徑斜,白雲深處有人家,停車坐愛楓林晚,霜葉紅于二月花。”   劉據卻笑得活不成了,倒在墊子上用力的拍打著車廂,幾乎氣絕。啪啪啪视频   霍光跳起來在張安世腦門上重重拍了一巴掌。姐姐色|噜噜色|就要干|鲁大妈|鲁鲁射   “明天早上我的眼楮恐怕見不了人了……”霍光取出一面小小的銅鏡瞅著自己的眼楮,喃喃自語,心中越發的埋怨雲音。   劉徹好不容易等到阿嬌換氣的功夫,不耐煩的道︰“這是晁錯的原話,你一個字都沒有改動。如果朕的丞相這樣跟朕上奏,朕會把奏折丟在他的臉上!”加多鲁网站   雲瑯笑道︰“你告訴我說,劉據不喜歡你!” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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