Big Thief

Two Hands

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  • 在线影院免费偷拍久久国产视频色奶奶日日夜夜偷偷撸高开低走沪指六连跌 市场成交量萎缩


      他很不滿意,以前只有他跟雲瑯的時候,前進的速度要比這快的多。 在线影院免费   霍去病不敢違抗皇帝的命令,否則,他一定不會以偏師的身份先入長安。偷拍久久国产视频   “昨晚的事情做的不錯,都說是紈褲子弟,總要干點紈褲子弟才能干的事情。這樣做的效果很好,陛下今早听聞之後勃然大怒,傳下旨意要本宮捉拿大膽狂徒。我已經捉拿了六大一小七個蒙面狂徒交付給了張氏,周氏,案子已經了了。”   雲瑯在戰場上見過這位渾邪王,那時候,這家伙應該還是一位大將。色奶奶日日夜夜偷偷撸 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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