Big Thief

Two Hands

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  • 夜夜撸日日撸得得撸ofo深圳困局:员工流失较多 日常运维情况不太好


      高思明想著王淼淼應該也不知道他是誰,排除了對方惡作劇的可能性。   陸昔年抓抓頭發︰“我之前還一直在看老師的視頻學習呢。”夜夜撸   “你!”高個子的男生氣得不輕,看在錢的份上那句話正是他說的。畢竟已經是成年人了,在學校里他也不敢真的動手,只是氣急敗壞的站起來想找回點面子。日日撸   “沒有......我只是忽然想告訴你,我喜歡你,特別特別喜歡你。”他知道林徵羽根本不會在意網上的各種言論,但他仍然想用這種方式消除哪怕可能會有的一丁點影響。   昨日里匆匆離去的狼群又來了,其中有一頭雪白色的母狼,身形高大,肚腹下面的一排乳頭又紅又漲,看樣子,這是一匹帶著崽子的母狼。得得撸   年糕家的貓︰狗頭保命,溜了溜了......... Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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