Big Thief

Two Hands

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  • 夜夜撸在线影院大色窝狠狠射狠狠撸影院喷莫雷的弃将又来做舔狗 39分+绝杀后想回火箭


      好在,叛亂的只有角斗士們,他們的人數少,如果皇帝躲過那三場箭雨,應該有一戰之力。   “我們……更重要……逃啊!”夜夜撸在线影院大色窝   場中一聲震天的鑼鼓響,一個身穿皮甲,手握狼牙棒的高大黝黑巨人,緩緩從東邊的小門處走出,嗷嗷的叫了兩聲之後,就面對劉徹所在的方向,匍匐在地,向劉徹行五體投地大禮。狠狠射   雲瑯道︰“他來看角斗!”   雲瑯皺眉道︰“胡人比漢人多。”狠狠撸影院   曹襄湊趣道︰“微臣下注一千金幣。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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