Big Thief

Two Hands

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      hard︰“我這邊彈幕都笑瘋了,翻車是不可能翻車的,這輩子都不可能,就算只有我們三個也同樣能吃雞!來來開競猜了。”   握上鼠標的那一刻,陸昔年忽然就覺得有些緊張。一只溫熱的手掌毫無預兆的蓋在他的發頂,然後揉了幾下,瞬間撫平了他躁動的心。夜夜橾天天橾b   陸昔年點頭。大香蕉伊人久草av   陸昔年忽然明白了林徵羽反常的原因,再次看向緊閉的廚房時,琉璃般的眼里多了星星點點的笑意。   頭上有犄角︰非洲人心好痛!夢醒了,繼續搬磚去了![感覺不會再愛了jpg]日日夜夜撸   于是一氣之下刪除了前幾天轉發的關于秦樓的微博,接著又發了一條似是而非的感嘆。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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