發布時間︰來，可是伊羅娜使勁地握住我的手腕。 “安靜些！我求求您，親愛的朋友——千萬別發火，尤其是——我懇求 “話說回來，我完全可以把這些事說給你听！因為今天我已經不再為此 感到羞慚，而如果有人及時地把你這些羅曼蒂克的明燈一一關掉，說不定對 你只有好處。”大色窝夜夜撸在线视频 “或許??或許是你覺得這樣太晚了一些？”夜夜撸在线影院大色窝 “一點也不生氣。” “那您還來看我??就跟先前一模一樣？” “一模一樣。不過當然要有一個條件。” 她的眼神露出不安。“什麼條件？” 狠狠射 一封給我的信？我正好穿著襯衫短褲站在那里，就那樣取過了四四方方 的一個藍色信紂。那信封又厚又沉，簡直像個小郵包，我立刻感到手里抓了 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.