Big Thief

Two Hands

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  • 大香蕉伊人久草av日日夜夜撸日日啪打车年花费百万欧元 德意志银行员工奢侈生活曝光

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    這部小說的結構依然是茨威格慣用的倒敘法和第一人稱敘述方式。由一 個當作家的“我”的開場白,引出了霍夫米勒的自述身世。故事乍一看來, 平鋪直敘,沒有驚心動魄的宏偉場景,沒有駭人听聞的怪異事件。這場悲劇 的造成是由于心靈的危機、內心的矛盾,而不是宵小作梗,惡人暗算,厄運 我畢恭畢敬地把兩個腳跟一並。“遵命,上校先生。”大香蕉伊人久草av 日日夜夜撸 力的範圍之內,我的任務還沒有徹底完成的時候,這種麻痹狀態持續著。等 到牽動列車的機器一動,這種昏迷狀態就從我身上脫落。我猝然驚醒,像一 個被炮彈炸開時的氣浪打倒在地的人,搖搖晃晃地爬起來,不勝驚訝地發現 身上毫無傷痛。我首先驚訝的是,我還活著。其次,我正坐在一列向前行駛 的火車里,脫離了我已習慣的日常生活。我剛開始回憶,過去的事情立刻以 驚人的速度紛至沓來。我不是想結束我的生命嗎,有人把我的手從手槍上拉 開。上校說過了,他要把一切都安排好。然而——我不勝慌亂地斷定——他 能處理的一切只關系到團隊和我作為軍官的所謂“好名譽”。說不定我的伙 伴們此刻正在軍營里站在他的面前,不消說,他們都以名譽和信誓向他保證, 關于這個事件絕對一句話也不說。不過,他們心里想些什麼那是沒有任何命 令可以阻止的,他們大家想必都發現,我是怯懦地溜之大吉的。藥劑師說不 定一上來還能听從上校的勸導——然而艾迪特呢,她父親呢,其他的入呢? 是電話鈴,而是外面的門鈴。門房趕快給一對晚舊的情侶開了大門。一位騎 兵上尉帶著一個姑娘踩得刺馬針叮當亂響地走進敞開的大門,從門房走過時 向我投來驚詫的一瞥,顯然把我看成怪人。我身上披著一件軍官的大衣,露 著脖子,光著兩條腿,直瞪著他。他向我匆匆打個招呼就和他的女伴一同消 失在半明半暗的樓梯里。日日啪 五十 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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