Big Thief

Two Hands

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  • 天天射寡妇射天天啪在线影院免费宽松靴子“悬在半空” 大类资产“慌了神”


      太宰,你想不想听我那個計劃是什麼樣的嗎?” 第一二零章 情場失意的阿嬌天天射寡妇射   “神龍?”雲瑯的眼楮瞪得有鴨蛋大。“你可沒說里面有這種東西啊,要不,我們不進去了,一听這兩個字我就知道不是什麼善類。”天天啪   現在,你看到了這顆神物,還懷疑始皇帝會傷害我們嗎?   曹襄皺眉道︰“我怎麼不記得我的第一個女人是誰?”在线影院免费   再一次見到老虎的時候,老虎卻不願意湊到雲瑯的身邊,雖然它很想跟雲瑯親熱,可是,雲瑯身體上散發出來的一股子古怪的酸味,讓它靈敏的鼻子非常的難受。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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