Big Thief

Two Hands

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      “皇帝沒回長安關……”   何愁有臉上有了笑意,點點頭道︰“知道替我收尸,總算沒有變成狼心狗肺之徒。這件事必定是要實驗一下的,老夫也確實會親自操弄,如果老夫真的死于這種天威之下,也算是死得其所。”天天撸啊撸   曹襄瞅著家里密集的院落,有些為難的道︰“沒那麼容易,這個家不僅僅是我一個人的,我說了不一定管用!”天天撸天天射   說完話就雄赳赳的下了長門宮樓閣,翻身騎上一匹白馬,也不用鞭子,輕輕地用馬鐙磕一下馬肚子,那匹白馬就竄了出去,從上馬到飛馳一氣呵成,很有看頭。   毛孩奇怪的看著家主道︰“咱家引水灌苗,雖高處之田,一畝所收也有三擔余,家主還要如何的高法?”天天撸在线视频   曹襄跑出去老遠,見雲瑯停下了,就兜轉馬頭走回來道︰“你怎麼不走了?” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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