Big Thief

Two Hands

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  • 天天撸天天射天天撸在线视频天天干中国农民造“A320”震惊外国网友:老有才了(图)

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      書齋的門被人推開了。   曹襄定楮瞅了一下局面,搖頭道︰“一只鵝而已,咬不疼人,一會陛下登高望遠之後,那兩只鵝也就被斬殺了,到時候你多吃一口,為你兒子復仇。”天天撸天天射   車隊整體走的不快,跟雲瑯漫步的速度差不多,董仲舒的馬車就在不遠處,閃亮的如同天上的明月。天天撸在线视频   雲瑯剛剛打了一個盹,就听見兒子微弱的聲音。   “這是最有效的法子,相信我!”天天干   張氏的聲名在張湯自殺之後,重新登上了一個新的高峰,二十三歲的兩千石朝廷大員,已經多年沒有出現過了。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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