Big Thief

Two Hands

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  • 婷婷插妹妹a片96色姐妹在线AV恒大年底前将派息 股息回报率高达7.2%


      以前的時候,勝利跟百姓的關系不是很大,榮耀時刻歡慶完畢之後,也就完畢了,百姓們依舊需要為自己的生活奔波,勝利就像是一場風,一場雨,來的自然,去的迅捷。   這一次不同,霍去病回來的時候,不僅僅帶回了匈奴人的頭顱,也帶回來了渾邪王,帶回來了匈奴奴隸,跟帶回來了河西休屠王故地的祭天金人。婷婷   雲瑯從懷里撈出一把大秦金幣,努力的回憶自己昨日里到底干了些什麼。插妹妹a片96   從城門口走到未央宮宮牆並不算遠,尤其是從北門而入,更是近在咫尺。   以前很難說出口的事情,既然說出來了,就干脆說清楚。色姐妹在线AV   每個人都活的好好地,這就是雲瑯最大的期望。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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