Big Thief

Two Hands

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  • 开心色色激情网,激情五月网婷婷五月丁香香港反对派议员上BBC“要普选” 被主持人怼懵了


      做主人就要有主人的氣質。   雲瑯敲著腦門道︰“還不是為了始皇陵,我家里必須有各種各樣的人才,如此才能建立起一個嚴密的防御體系。對了,你不問我還要問你呢,那個高世青原本也是我看好的人,你把他帶走到底是為了什麼?這人我以後還能不能用?”开心色色   “是的只要黃金,以及乳香,沒藥,香料。”激情网,激情五月网   甦稚盡量不去看賈柳子那張恐怖的臉,皺眉道︰“我有一本西域藥典,可是里面的字我一個都不認識,這家伙認識,我想找他給我翻譯過來,他居然跟我提條件!”   “天老爺啊,老二是閨女!”婷婷五月丁香   “我們怎麼辦?” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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