Big Thief

Two Hands

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  • 得得撸狠狠撸视频天天撸美国零售业遭遇关税和经济逆风双重威胁


      說罷,就從馬車上跳下來,搖晃幾下才站穩,揮舞著寬袍大袖就在街道上舞蹈起來。   這一點只要是長安人都知道。得得撸   夏侯靜長笑一聲道︰“與天爭,天有雨露潤澤時,與地斗,地有五谷豐登時,與人爭,恐將死無葬身之地矣。”狠狠撸视频   曹襄問的無禮,霍去病卻回答的非常干脆。   這種事雲瑯也做不來,于是就臭罵了紅袖一頓,最終,紅袖只好乖乖的接受甦稚對她上下其手。天天撸   阿嬌微不可察的搖搖頭,劉徹到底還是喜愛劉據的,畢竟,那是他第一個兒子。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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