Big Thief

Two Hands

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  • 日夜撸米奇影视第四色俺去也一文看懂科创板鸣锣开市 李超应勇黄红元力挺注册制

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      嘿嘿嘿……就我曹氏家世,我用不著出風頭,因為耶耶本身就站在風頭頂上。   “啊?隆冬天氣里穿著破衣爛衫扛著重物前行的人居然是我大漢的殷實人家?”日夜撸   雲瑯嘆了口氣道︰“這就是問題所在,能擺弄火藥的人絕對不能是聰明人,必須是性子愚鈍一些,古板一些的人才好。聰明人大多耐性不好,而擺弄火藥首要的一條就是細心,細心,再細心。”米奇影视第四色   如此一來,這些年我返家的次數屈指可數。   稍微晾一下,等溫度合適了,雲瑯拿起豬蹄就要啃,霍去病的一只手就探過來了。俺去也   自己給了劉徹一張世界地圖,無疑,打開了劉徹封閉的雙眼,如今,他終于可以指點著地圖,選擇自己下一個可以搶劫的目標了。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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