Big Thief

Two Hands

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  • 日日夜夜撸日日啪狠狠啪平安好医生旗下“私家医生”上线 首日签约额达3亿


      安頓好了甦稚,見這個女子沉沉的睡過去了,雲瑯這才回到了自己的軍帳。   不過,他們的武勇形象已經落進了劉陵的眼中。日日夜夜撸   “武威,待在姑臧城,雲音也在那里。”日日啪   紅玉道︰“陛下想要把匈奴人變成大漢一般的正常國家恐怕會非常的難。”   甦武頓時有些不悅,他覺得雲瑯不像是一個軍人,一個真正的軍人怎麼可能會嫌棄自家的地少。狠狠啪   一年多以前,大漢錢莊遭受沒頂之災的時候,就是這些僕婦們利用手里的龐大資金,幫助錢莊渡過了一場災難。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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