Big Thief

Two Hands

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  • 狠狠日狠狠插狠狠色万达信息控股股东和实控人股份被冻结 却声称不知情

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      陸昔年最近養成了每晚看Lin直播的習慣,有時候錯過了就覺得像是少了點什麼似的。   “我要舉報你,等著被封號吧你個神仙!”那人繼續嚷著,林徵羽毫無波瀾的舔包,滿地都是盒子,很快他的二級包便裝得滿滿當當。狠狠日   “我只是覺得你挺特別。”高思明說。狠狠插   陸昔年垂著眸子,薄薄的月光鋪在他那縴長卷翹的睫毛上,在眼下投出一片淡淡的陰影,看上去有些脆弱。   “這是我爸的主意,你也知道他那個人有多獨斷專行。”高思明就地坐下,拔了根野草捏著轉了幾圈︰“我不想去,這麼多年還是改不了他那個暴發戶的脾性。”狠狠色   還有兩個人的微信情頭,她看到的時候居然還傻傻的以為只是巧合而已。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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