Big Thief

Two Hands

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  • 狠狠社狠狠爱天天干中东地缘风险再度升温 美油涨近1%收复56美元关口


      太陽出來的時候,濃霧就散去了,只有驪山上還有一層薄薄的水霧,不過,也很快就消失在林莽中了。   雲瑯跟甦稚兩人看的津津有味,一頭野豬而已,打不過老虎也打不過何愁有,他們非常的安全。狠狠社   “這批匈奴人不錯,很強壯,看來價錢不會低……”狠狠爱   趙破奴有些失望,霍去病不喜歡,就說明他早就謀劃好的事情沒法子干了。   跟霍光說話很痛苦,已經到了听道理而無視權威的年紀了,一定要說清楚才會服氣,早就不是一頓巴掌就能閉上嘴巴的時候了。天天干   劉徹笑道︰“朕听霍去病說,他兵鋒抵達敦煌之時,呼衍王已經向北逃竄了?” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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