Big Thief

Two Hands

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  • 男人的天堂东京热!撸狗网av2016影音先锋影音先锋av撸色soso东京奥运会场地大肠杆菌严重超标 东京奥组委回应


      陸昔年把人壓到牆上,另一只手啪啪在手機上敲下一串文字︰直播著呢,別說話!   “我不。”林徵羽俯下身,灼熱的氣息撲在陸昔年的臉上,微微垂下的視線落在他發紅的鼻尖,心尖隱隱一疼,忍不住輕輕用唇踫了一下。男人的天堂东京热!   ***撸狗网av2016影音先锋   陸昔年︰不介意呀,會長挺有趣的,和他一起吃飯很開心。   “那是給你留的。”影音先锋av撸色soso   和大佬一個群,這種感覺好不真實。凌軒的名字後面加了幾個字——配音導演,陸昔年頓時喜出望外,在凌軒的指導下他一定能學到很多東西,比他挖空心思看幾遍視頻揣摩技巧還要有用。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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