Big Thief

Two Hands

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  • 色奶奶日日夜夜偷偷撸大色窝夜夜撸在线视频夜夜撸在线影院大色窝货币基金集体转型:收益持续下滑 规模现天花板效应

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      雲瑯派他來到匈奴軍中,不是要他現在就回來的,他需要長期留在匈奴人軍中,唯有如此,雲瑯才能掌握匈奴人的一舉一動。   劉陵笑著點點頭道︰“好,回頭就有國書給你,朕離開北方時,走的匆忙,沒有向鄰居告別,是朕的不是。來人,送漢國使節去驛館休憩!”色奶奶日日夜夜偷偷撸 大色窝夜夜撸在线视频   不過,功成名就之後,在封地修建宅院,享受榮華富貴也是一個很好地出路。   劉陵站在高坡上,看了陽關好久,才對謝寧道︰“從今後,過了陽關就是漢地了。”夜夜撸在线影院大色窝   有時候甚至覺得,我除了跟大家長得一樣,就再也沒有多少共通之處了。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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